By M. Russell
A shut exam of the interplay of recent highbrow currents with indigenous innovations of morality and advantage, during the prism of fixing beliefs of womenhood
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Extra resources for Creating the New Egyptian Woman: Consumerism, Education, and National Identity, 1863–1922
The new parks were the sites of concerts, cafés, al-fresco theater, as well as traditional street performances. The fancier parks sought to capitalize on the modern, the unique, and the amazing. 38 Many of these activities still remained beyond the reach of the masses. The twopiastre admission price for the horned man in 1892 was as much as the admission to the zoo in 1904. The government deemed this fee too excessive, and in an effort to make the zoo more accessible, the price was reduced to half a piastre.
47 Ellen Chennells recollects the excitement of this period. 48 Weddings necessitated intricate planning, and new outﬁts were required for each of the days of celebration. Mrs. ”49 It is clear from contemporary descriptions that these weddings allowed Ismail to bring the distinction of the court to the public eye. 50 It was not all that uncommon to marry royal women or even important slaves to socially signiﬁcant men. 51 The ﬁrst of these marriages was for Ismail’s heir apparent Tawﬁq, who married Amina, the daughter of Ilhami Pasha 18 Creating the New Egyptian Woman (Abbas’s son) and Sultan Abdul Majid’s daughter.
The “oasis” already contained 80 villas and shops, a hotel, and a casino. Within another ﬁve years further developments took place. ”56 Foreign interests ran high in Heliopolis, although it could not be deﬁned as a European town. While its European population by 1925 was considerable, it did not exceed 20 percent. Given these circumstances its foreignness was highlighted by its architecture and layout, including a large cathedral, the Patterns of Urban Consumption and Development, 1879–1922 35 Heliopolis Palace Hotel, the racecourse, and Luna Park.